Sunday, November 25, 2012
This week's releases:
A spellbinding historical novel of beauty and greed and surprising redemption.
England, 1660. Ella Appleby believes she is destined for better things than slaving as a housemaid and dodging the blows of her drunken father. When her employer dies suddenly, she seizes her chance--taking his valuables and fleeing the countryside with her sister for the golden prospects of London. But London may not be the promised land she expects. Work is hard to find, until Ella takes up with a dashing and dubious gentleman with ties to the London underworld. Meanwhile, her old employer's twin brother is in hot pursuit of the sisters.
Set in a London of atmospheric coffee houses, gilded mansions, and shady pawnshops hidden from rich men's view, Deborah Swift's The Gilded Lily is a dazzling novel of historical adventure.
From nineteenth-century London’s elegant ballrooms to its darkest slums, a spirited young woman and a nobleman investigating for the Crown unmask a plot by Napoleon to bleed England of its gold.
Chance led to Charlotte Raven’s transformation from chimney sweep to wealthy, educated noblewoman, but she still walks a delicate tightrope between two worlds, unable to turn her back on the ruthless crime lord who was once her childhood protector.
When Lord Edward Durnham is tapped to solve the mystery of England’s rapidly disappearing gold, his search leads him to the stews of London, and Charlotte becomes his intriguing guide to the city’s dark, forbidding underworld. But as her involvement brings Charlotte to the attention of men who have no qualms about who they hurt, and as Edward forges a grudging alliance with the dangerous ghosts of Charlotte’s former life, she faces a choice: to continue living in limbo, or to close the door on the past and risk her heart and her happiness on an unpredictable future.
Passion, jealousy, scandal and betrayal - a true-life Regency Romance of the rise and fall of an extraordinary woman born into extraordinary times. Growing up in a poverty-stricken, fatherless household, Dorothy Jordan overcame her humble beginnings to become the most famous comic actress of her day. It was while performing on Drury Lane that Dorothy caught the eye of the Duke of Clarence, later to become King William IV. Her twenty-year relationship with the Duke was one of great happiness and domesticity, producing ten children. But ultimately, Dorothy's generous nature was her undoing and she was to be cruelly betrayed by the man she loved.
Henry III was the son and successor of Bad King John, reigning for 56 years from 1216 the first child king in England for 200 years. England went on to prosper during his reign and his greatest monument is Westminster Abbey, which he made the seat of his government indeed, Henry III was the first English King to call a parliament. Though often overlooked by historians, Henry III was a unique figure coming out of a chivalric yet Gothic era: a compulsive builder of daunting castles and epic sepulchres; a powerful, unyielding monarch who faced down the De Montfort rebellion and waged war with Wales and France ¬ and, much more than his father, Henry was the king who really hammered out the terms of the Magna Carta with the barons. John Paul Davis, biographer of Robin Hood and Guy Fawkes for Peter Owen, brings all his forensic skills and insights to the grand story of the Gothic King in this, the only biography in print of one of our most remarkable monarchs.
The book is one of drama on a grand scale, a Renaissance epic, as Christendom emerged from the shadows of the calamitous 14th century. The sweeping tale involves inspired and corrupt monarchs, the finest thinkers, the most brilliant artists, and the greatest beauties in Christendom. Here are the stories of its most remarkable women, who are all joined by birth, marriage and friendship and who ruled for a time in place of their men-folk: Lucrezia Turnabuoni (Queen Mother of Florence, the power behind the Medici throne), Clarice Orsini (Roman princess, feudal wife), Beatrice d'Este (Golden Girl of the Renaissance), Caterina Sforza (Lioness of the Romagna), Isabella d'Este (the Acquisitive Marchesa), Giulia Farnese ('la bella', the family asset), Isabella d'Aragona (the Weeping Duchess) and Lucrezia Borgia (the Virtuous Fury). The men play a secondary role in this grand saga; whenever possible the action is seen through the eyes our heroines. These eight women experienced great riches, power and the warm smile of fortune, but they also knew banishment, poverty, the death of a husband or the loss of one or more of their children. As each of the chosen heroines comes to the fore in her turn, she is handed the baton by her 'sister' and Leonie Frieda recounts the role each woman played in the hundred-year drama that is THE DEADLY SISTERHOOD.